The Journal

The Journal

The Journal

Behind the scenes, thoughts on craft, and stories from the field.

Behind the scenes, thoughts on craft, and stories from the field.

Three days in the Moroccan desert, waiting for light that only appears for ten minutes — and why the waiting is the real work.

Three days in the Moroccan desert, waiting for light that only appears for ten minutes — and why the waiting is the real work.

Latest stories

Latest stories

26 Years In and I Am Still Learning New Things

I did the math recently, mostly by accident, and realized I've been doing this for twenty-six years.

Directing People Who Hate Being Photographed

Most clients tell me they’re “awkward on camera.” Here’s how I coax natural expressions from people who’d rather be anywhere else.

Building an Editorial Story in a Single Afternoon

A loose brief, one location, and a tight shot list — how it all turns into a cohesive editorial set before the light goes.

Reading Light in Empty Rooms

Interiors don’t pose. You have to find the moment a space looks its best — and sometimes that means waiting all day for it.

Lighting Food So It Looks Like You Want to Eat It

Food photography lives and dies on light. Get it right and a plate looks like something you'd cross a room for— the kind of photo that makes people hungry just scrolling past it.

A Day Behind the Scenes at a 2,000-Person Conference

People sometimes picture conference photography as walking around with a camera, catching a few smiling faces, and calling it a day. I wish. Covering a 2,000-person conference

What a Commercial Client Actually Pays For

Every so often a prospective client asks, politely, why a shoot costs what it costs. It's a fair question, and the honest answer tends to surprise people: the photographs are the easy part.

How I Shoot a Live Event Without Missing the Moment

I get asked some version of this question after almost every event, gala, or corporate outing I shoot: "How do you do that? How do you always seem to be in the right place?"

Find One Thing You’re Curious About

In the original post, this idea got a single short paragraph: instead of trying to photograph everything, get curious about one narrow thing for a while

Take More Bad Photos

In the original post, we snuck this in as a quick section: most of your photos are allowed to be bad. It’s one of those pieces of advice that sounds almost too simple to be useful

Your Phone Is Not a Consolation Prize

In our original post, we said this in passing: if you’re shooting on a phone, you’re not “practicing until you can afford a real camera.” That deserved more than a paragraph, so here it is in full.

Composition Rules Are Training Wheels, Not Laws

In our original post, we mentioned the rule of thirds and moved on pretty quickly. That was on purpose

Light is the Whole Game

If you’ve read our post about why your camera doesn’t matter as much as you think, you already know the one-sentence version of this: photography is just drawing with light. It’s not a metaphor — the word “photography”

Why Your Photos Are Already Good Enough (And Other Things I Wish Someone Told Me)

Let’s get one thing out of the way: you do not need a better camera. I know, I know. That’s not what the gear ads want you to believe. But some of the most striking photos ever taken were shot on equipment that would look laughably outdated today

The best moments happen without force. This approach keeps the camera steady and the environment relaxed so the true character of the subject can rise on its own. What you get is photography that feels real, focused, and built with purpose.

Book a Shoot

Copyright Jonathan Phillips Phorography, 2026. All rights reserved

Designed by The Blank Company

The best moments happen without force. This approach keeps the camera steady and the environment relaxed so the true character of the subject can rise on its own. What you get is photography that feels real, focused, and built with purpose.

Book a Shoot

Copyright Jonathan Phillips Phorography, 2026. All rights reserved

Designed by The Blank Company

The best moments happen without force. This approach keeps the camera steady and the environment relaxed so the true character of the subject can rise on its own. What you get is photography that feels real, focused, and built with purpose.

Book a Shoot

Copyright Jonathan Phillips Phorography, 2026. All rights reserved

Designed by The Blank Company